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The opening scene kept me guessing as to how successful the film would ultimately be. It serves as a super-quick introduction to Logan’s rage and guilt, which are given as some kind of inner drive for him and visualised in the form of a howling motif we will see again and again. In the sequence, we see James Logan as a young child in the 19th Century, sharing a bedroom with his brother, later to become Vincent Creed and be played by Liev Schreiber (the separate surnames issue is not entirely clear, but I’m sure you will make an educated guess as to how it might be resolved). 

A man who appears to be their father rouses the children before another man arrives and violence erupts. The events of this brief, fairly well presented and mostly exciting sequence are designed to provide some depth and motivation to the characters, and particularly in respect of the two brothers’ relationship, but it could honestly have benefited from running longer, opening out more and allowing a more meaningful relationship to form between the children and the adults. Nonetheless, what the scene does achieve would be greatly missed had the scene been skipped.